My practice is characterized by deceptively simple figuration that belies profound emotional and psychological complexity. The figures I depict often appear isolated, confrontational, or withdrawn, occupying an ambiguous space between innocence and defiance. These figures act as emotional stand-ins, functioning as vessels for feelings that are often difficult to articulate and embodying states of loneliness, anger, introspection, and quiet resistance.

My work centers on characters that appear simple or childlike, yet carry layered emotional states. Through restrained compositions and direct gazes, I construct intimate encounters that invite viewers into a quiet, shared emotional space.

I am particularly interested in how early experiences, memories, and internalized emotions persist into adulthood. Childhood is often romanticized as carefree or pure, yet it is equally shaped by confusion, isolation, defiance, and vulnerability. The wide eyes, subtle gestures, and controlled expressions in my work are intended to hold these contradictions simultaneously, reflecting the emotional continuity between childhood and adult identity.

The imagery in my work is further shaped by my engagement with biopsychosocial models and how they directly affect the framework of our lives. Referencing themes of religion, socialization, and health, my work considers how these interconnected elements leave lasting impressions on individuals, shaping identity through a cumulative network of lived experiences. Relationships, both intimate and societal, inform the recurring sense of isolation and emotional distance present in my work, suggesting an ongoing negotiation between connection and withdrawal.